PREVIOUS WORKS | ||
2004-2003-2002-2001-2000-1999-1998 |
1998 |
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a dedication to the unknown dancer | ||||
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Where |
Oslo, Black Box Theatre, 5th-9th of November. | |||
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Choreography |
: Le Teck | |||
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Light
design |
Ruth Marie Bottheim | |||
Sound
technique |
Paal Stead | |||
Dancers |
Gisle Hass | |||
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Torill Haugen | |||
Berthe Mengshoel | ||||
Anne Grete Teien | ||||
Sidsel Pape | ||||
Kari Anne Bjerkestrand | ||||
Roger Wahl | ||||
Kyrre Texnæs | ||||
1999 |
Love and Matchpoint | |||
a dedication to Bach, Beethoven and Mozart | ||||
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Where |
Oslo, Musikkteatret på Vestbanen, 18th 22nd of November. | |||
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Music |
Alexander
Zimmermann |
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Choreography |
Le Teck | |||
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Sound
technique |
Øystein Vesaas | |||
Light
design |
Pål Aarnseth | |||
Dancers |
Silje Norheim, | |||
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Kaia Hugin, | |||
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Katrine Kirsebom, | |||
Liv Hanne Haugen, | ||||
Pierre Rubio, | ||||
Gisle Hass | ||||
Kari Anne Bjerkestrand, | ||||
Marte Magnus, | ||||
Berthe Mengshoel, | ||||
Irene Velten Rothmund, | ||||
Elizabeth Lyseng | ||||
Linnéa Fiske. | ||||
2000 |
Ancient Whisper | |||
"what did Odin whisper into the ear of Balder?" | ||||
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a dedication to the northern Mythology |
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Where |
Oslo, Black Box Theatre, 26th 29th of November | |||
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Music |
Jørgen Knudsen | |||
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Light
design |
Dorthe Wium | |||
Sound
technique |
Boya Bockman | |||
Choreography |
: Le Teck | |||
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Dancers |
Anne Katrine Haugen | |||
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Antonio Castronovo | |||
Annette Dyvi | ||||
Danal Guy | ||||
Marte Magnus | ||||
Magnhild Rem Fossum | ||||
Eva Christin Hjelden | ||||
Kari Anne Bjerkestrand | ||||
Kathrine Magnussen | ||||
Liv Hanne Haugen | ||||
Irene Velten Rothmund | ||||
Rasmus E. Andersen | ||||
Helle levang Moum | ||||
André Austvoll | ||||
Rita Haugseggen | ||||
Elizabeth Lyseng | ||||
2001 |
Danceget-ON | |||
a dedication to the international day of dance | ||||
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Where |
Oslo, 29th of April, Fabrikken | |||
Music |
Gro
Løvdahl |
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Lars Pedersen | ||||
Nils-Arne Øvergård | ||||
Øyvind
Borgermoen |
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Light
Design |
Peter Rothmund | |||
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Sound technique |
Petter Pogo | |||
Choreography |
: Le Teck | |||
Dancers |
Katrine Magnusen | |||
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Marte Magnus | |||
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Annette Dyvi | |||
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Virginie Mira | |||
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Andrè Austvoll | |||
Anne-Grete Teien | ||||
Berthe Mengshoel | ||||
Irene Velten Rothmund | ||||
Elizabeth Lyseng | ||||
Kari Anne Bjerkestrand | ||||
Cecilie Bertrand De Lis | ||||
2001 |
Danceget-BE | |||
a dedication to the international day of dance | ||||
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where |
Brussels, 29th of April, Fabrikken | |||
Music |
Serge
Descornet. |
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Choreography |
: Le Teck | |||
Dancers |
Jean-Michel Barthélery | |||
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Thierry Bastin | |||
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Antonio Castronovo | |||
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Liv Hanne Haugen | |||
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Alain Marcel | |||
Said Si.Mohammed | ||||
Genevieve Voisin | ||||
2001 |
Scenebluss (participation) | |||
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an
informal open stage arrangement at Det Åpne Teater, Oslo and Porsgrunn Internasjonale Teaterfestival. |
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Choreography |
Elizabeth Lyseng | |||
Dancers |
Elizabeth Lyseng | |||
Cecilie Bertrand de Lis | ||||
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2001 |
Too much is not enough... | |||
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Opendance was part of the project "Too much is not enough..." In September in Brussels | |||
where |
Brussels, Les Bains | |||
Choreography |
Live Hanne Haugen | |||
Dancers |
Live Hanne Haugen | |||
Jean Michel Bartelerey | ||||
Kari Anne Bjerkestrand | ||||
Music |
Vincent Malstaf | |||
Installation |
Lawrence Malstaf | |||
2001 |
Yesterday | |||
Not
everybody has got a tomorrow, not everybody has got a today, but everybody
has got a yesterday.... A dedication to Alberto Giacometti |
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where |
Black Box Teater, store scene | |||
13. desember - 16. desember 2001 | ||||
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Artistic Director |
Kari Anne Bjerkestrand | |||
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Choreography |
Le Teck | |||
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Producers |
Open Dance Company, Annette Dyvi and Kari Anne Bjerkestrand | |||
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Co-producer |
Elizabeth Lyseng | |||
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Music |
Kjetil Bjerkestrand | |||
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Light
design |
Harald Fetveit | |||
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Sound technique |
Torbj¯rn Holte | |||
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Videoprojections and documentation |
Klaus J”ger | |||
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Costumes |
Katharina Barbosa Blad | |||
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Dancers |
Rasmus Andersen | |||
Elizabeth Lyseng | ||||
Fride Lundestad | ||||
Annette Dyvi | ||||
Eva Hjelden | ||||
Anette Brandanger | ||||
Anne Oyen | ||||
Elita B. Vesterbekkmo | ||||
Anne-Kristine Tischendorf | ||||
Larissa Tiusainen | ||||
Cecilie Hillestad Hoff | ||||
Virginie Mira | ||||
Anne Grete Teien | ||||
Berthe Mengshoel | ||||
Kari Anne Bjerkestrand | ||||
Hattie Worboys | ||||
Nathalie Marcoul | ||||
Alain Marcel | ||||
Jean Michel Bartelery | ||||
Regine Thielemans | ||||
Said si Mohammed | ||||
Carmen Sterland | ||||
2002 |
Høy Hvit Hage | |||
when |
29th of April 2002 | |||
where |
Fabrikken | |||
Choreography |
K.A. Bjerkestrand | |||
E. Lyseng | ||||
Music |
Gro Løvdahl | |||
Hans-Kristian Kjos Sorensen | ||||
Jan Skomakerstuen | ||||
Light
design |
Klaus Jâger | |||
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Sound technique |
Petter Pogo | |||
Dancers |
Anne-Kristine Tischendorf | |||
Annette Dyvi | ||||
Berthe Mengshoel | ||||
Anne Øyen | ||||
Anne Grete Teien | ||||
Cecilie Hillestad Hoff | ||||
Virginie Mira | ||||
Elizabeth Lyseng | ||||
2002 |
SUBWAY BLUE | |||
when |
A performance in the subway area of Nationaltheatret, 2nd of October. Ý(In connection to the CODA dance festival in Oslo.)
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Choreography |
Kari Anne Bjerkestrand in co-operation with the dancers | |||
Music |
Maria Bovin Sollie | |||
Dancers |
Annette Dyvi | |||
Berthe Mengshoel | ||||
Anne Grethe Teien | ||||
Kari Anne Bjerkestrand | ||||
Elizabeth Lyseng | ||||
2002 |
Action Metro 1 | |||
when |
Performed at Oslo Central Railway Station, 30th of October | |||
Choreography |
Scene 7-10 from X so this! by Le Teck | |||
Dancers |
Johan
Ekestubbe Elizabeth Lyseng Kristoffer J. Torgersen Ingelin Bjerknes Annette Dyvi Anne-Kristine Tischendorf Anne Grethe Teien |
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2002 |
Action Metro 2 | |||
when |
Performed at Oslo Central Railway Station, 5th of November | |||
Choreography |
Scene 7-10 from X so this! by Le Teck | |||
Dancers |
Hattie
Worboys Regine Thielemans Eva Hjelden Anne Grethe Teien Annette Dyvi Johan Ekestubbe Elizabeth Lyseng Kristoffer J. Torgersen Berthe Mengshoel |
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2002 |
Action Metro 3 | |||
when |
Performed at Oslo Central Railway Station, 7th of November. | |||
Choreography |
Scene 1-4 from X so this! by Le Teck | |||
Dancers |
Eva
Hjelden Johan Ekestubbe Regine Thielemans Kari Anne Bjerkestrand Ingelin Bjerknes Annette Dyvi Elizabeth Lyseng Runa Stoltenberg Dahl Anne-Kristine Tischendorf Kristoffer J. Torgersen Berthe Mengshoel |
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2002 |
X so this! |
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Dedicated to Pablo Picasso |
"I set out to become a painter,
I ended up becoming Picasso." Pablo Picasso |
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"The
grammar of a reality breaks down from time to time to reveal this reality
as it is, as such a new dimension is making it´s apperance." Le Teck |
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INFO |
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where |
Black Box Teater, store scene | ||||
9th-13th of November 2002 | |||||
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Artistic
Director |
Kari Anne Bjerkestrand | ||||
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Choreography |
Le Teck | ||||
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Music |
Ylva Nyberg | ||||
Costumes |
Katharina Barbosa Blad | ||||
Light
design |
Inger Johanne Byhring | ||||
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Projections |
Nina Bergstøm | ||||
Producers |
Elizabeth Lyseng, Annette Dyvi and Kari Anne Bjerkestrand | ||||
Production
Assistant |
Irene Velten Rothmund | ||||
Photographer |
Nicolas Tourrenc | ||||
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Sound technique |
Tov Ramstad | ||||
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Video
dokumentation |
Aaslaug Krokann Berg | ||||
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Dancers |
Berthe Mengshoel | ||||
Anne-Kristine Tischendorf | |||||
Anne Øyen | |||||
Annette Dyvi | |||||
Elizabeth Lyseng | |||||
Larissa Tiusainen | |||||
Runa Stoltenberg Dahl | |||||
Anne Grete Teien | |||||
Ingelin Bjerknes | |||||
Hattie Worboys | |||||
Kari Anne Bjerkestrand | |||||
Johan Ekestubbe | |||||
Kristoffer J. Torgersen | |||||
Eva Kristin Hjelden | |||||
Regine Thielemans | |||||
2003 MARS
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SALTATIO I
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A 40 minut version of X so this! |
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2003 APRIL
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SALTATIO II
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Performed in The Munch Museum in Oslo, Norway. |
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Choreography
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Le Teck | ||
Music
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Ylva Nyberg | ||
Costumes
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Katharina Barbosa Blad | ||
Light design
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Inger Johanne Byhring | ||
Videoprojections and documentation
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Nina Bergstrøm | ||
Producer
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Annette Dyvi | ||
Dancers
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Anne-Kristine Tischendorf, Anne Øyen, Johan Ekestubbe, Elizabeth Lyseng, Annette Dyvi, Ingelin Bjerknes, Cecilie Hillestad Hoff, Fride Johanne Lundestad, Kari Anne Bjerkestrand, og Eva Christin Hjelden. | ||
2003 APRIL
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Orange Puls
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Performed at ”Fabrikken”, Nedre gate 5 Oslo, Norway. |
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Choreography
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Elizabeth Lyseng | ||
Music
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Gro Løvdahl, Jan Skomakerstuen | ||
Light design, multimedia
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Klaus Jäger | ||
Dancers
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Anne Øyen, Cecilie Hillestad Hoff, Anne-Kristine Tischendorf, Elizabeth Lyseng, Kari Anne Bjerkestrand, Berthe Mengshoel, Johan Ekestubbe, Eva Christin Hjelden, Fride Johanne Lundestad | ||
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Vanity Raw
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Dedicated to Francis Bacon |
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Parkteatret Scene November 29th- December 2nd at 20.00pm
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Choreography
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Le Teck | |||
Music
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Cerebral Cortex | |||
Costumes
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Katharina Barbosa Blad | |||
Videoprojections
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Nina Bergstrøm | |||
Lightdesign
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Armand Steinsholm | |||
Producers
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Bjerkestrand,Dyvi&Lyseng | |||
Dancers
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Anne-Kristine Tischendorf, Grete Lunde, Elizabeth Lyseng, Rasmus Andersen, Kari Anne Bjerkestrand, Caroline Jacobsen, Magne Skjævesland, Darina Cizkova, Annette Dyvi, Hilde Olsson, Ingelin Bjerknes,Anette Johansen, Marte Magnus, Christel Fauchald, Vilde Sparre Jansen og Laura Coupe. | |||
Artistic Director
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Kari Anne Bjerkestrand | |||
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Orange Puls
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a dance performance by 7 dancers, 2 musicians and one video artist |
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April 29th , The International Day of Dance,
and April 30th 2004 |
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Choreography
|
Elizabeth Lyseng | |||
Music
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Gro Løvdahl and Jan Skomakerstuen | |||
Costumes
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Katharina Barbosa Blad | |||
Video Artist
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Klaus Jäger | |||
Sound
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Petter Taranger | |||
Producers
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Bjerkestrand, Lyseng, Dyvi | |||
Styling
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Eirin Kongshaug
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Dancers
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Cecilie Hillestad, Elizabeth Lyseng, Annette Dyvi, Kari Anne Bjerkestrand, Darina Cizkova, Anne Øyen, Berthe Mengshoel |
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Artistic
Director
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Kari Anne Bjerkestrand | |||
Orange Puls will be performed at an old factory that in the last 100 years has transformed from an industrial production site to an entertainment center. The performance is inspired by the original use and history of the building. In the performance the physical space is transformed by use of sound and video animation to bring new space into being. The dancers are challenged into holding the energy and intensity of the laborer, as well keeping every move functional. In contrast to the mechanical and disciplined language of movement, the dancers are also expressing the laborers’ inner life and dreams. Through movement the historical laborer merges with the modern dancer of today. |
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2004-2003-2002-2001-2000-1999-1998 |